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25 Jul 2011

Love Actually... Sucks! – Scud’s latest film censored

“You have to love someone to suck someone,” says Scud (real name Danny Cheng Wan-Cheung), director of Love Actually... Sucks! Scud shares his views on love, his film, and his struggles with censors in Hong Kong and Taiwan. Meanwhile, a release date has not been set as the Hong Kong censor has demanded 11 cuts, and Taiwan authorities five.

To readers following LGBT cinema in Hong Kong, director and scriptwriter Scud should be no stranger. Shocking the city with his very homoerotic debut City without Baseball, Scud has since produced two more films concerning homosexuality: Permanent Residence and Amphetamine.

The Hong Kong censor has demanded 11 cuts, and Taiwan authorities five to Scud's newest film Love Actually... Sucks! From top: Director Scud (real name Danny Cheng Wan-Cheung) and scenes from the movie.
His latest film, Love Actually... Sucks! (愛很爛) explores the limits of love, through the reenactment of six real-life court cases in Hong Kong. Among them are cases of incest between brother and sister, the murder of his lover by an embittered man and his own subsequent suicide, and the one-sided obsession of a fitness trainer with his young male model. Be warned: none of the romances in the film end well.

“All the love films I watch seem to have happy endings; but in my observation, many romances actually end with sadness or even disaster,” says Scud.

Only by watching his films does one realise the darkness behind the director’s almost cherubic face. “I am not attempting to be particularly sensational. All these cases actually happened!” He says.

“The fact that these romances end badly doesn’t mean that they are inferior. In fact, these stories deserve to be told. When I was filming at the location where one of the film’s real-life character took his life, I felt that he was trying to say something through the film.”

Realism is Scud’s guiding philosophy in filmmaking. He abides by the principle, even when it causes controversy or danger. Many of the scenes in his new film were shot at locations where the real-life cases he portrays took place.

“One of the locations we shot at is an uninhabited island, where a mountain-climber (nicknamed ‘Spider’) fled after killing and beheading his lover. In one of the scenes, the character playing Spider had to walk along a cliff without harness. That was really scary.”

Another memorable scene in the movie shows a woman performing oral sex on her boyfriend.

“Everyone asked why it was so real. The secret is: It was all real!” says Scud with a smile. “Linda So (playing the girlfriend) was at first concerned if she was going to be able to do it – she was. The scene took five takes to film, and Haze Leung (who played the boyfriend) quipped, 'One more take and I would have come.' When we where done, Linda and Haze collapsed in laughter. They are real professionals.”

The above scene was not only difficult to film; it has also hindered the film’s commercial release. The Hong Kong censor (the Television and Licensing Authority – TELA) requested 11 cuts as a pre-condition for showing the film in cinemas. One of the censor’s many objections is the appearance of (or the suspicion of the appearance of) male sexual organs.

In view of the difficulties, I am tempted to ask if all the nudity is necessary. “Very much so,” says Scud.

“Sucking is an important symbol in the film. It is a selfless act; in sucking, one is pleasuring only the other person without reward for oneself. You suck only when you are in love.” The sucking scene is not Scud’s biggest worry.

“The incest in the film is more difficult. The censor objected to the entire portrayal an incestuous relationship in the film. I can cut scenes, but I can’t cut a whole story out of the film.”

This is not Scud’s first run-in with the Hong Kong censor. His last film, Amphetamine, created much controversy when the censor asked him to cut a homosexual rape scene. Scud refused, and the film was released with intermittent black-outs in place of cuts. The incident was not without a silver-lining.

“Since the standoff with Amphetamine, they have become much more communicative. Although our arguments are tense, there has been a real exchange of minds. In time, I hope our differences will narrow.”

With the Hong Kong censors, Scud has won one small victory: the film’s trailer has been approved. “We have three trailers in three categories, to be shown along with different categories of films.”

As for the Taiwan censors, Scud has decided to put aside his fight with them at the moment, even though the Taiwan authorities demanded only five cuts. “One fight at a time,” said Scud.

It is still a disappointment to Scud that the film cannot debut in Asia because of censorship issues. Love Actually... Sucks! was first shown this month at QFest, an LGBT film festival in Philadelphia, USA. The film and Scud’s last production, Amphetamine, were the festival’s only entries from Asia. At the festival, Scud came to an initial agreement with a major distributor of independent films in the US. “In a way, overseas sales lessen the hold Hong Kong censors have on me. Even if the film is banned in Hong Kong, my fans will be able to order DVDs from the US or from Europe.”

That scenario, though, is less than ideal. The cinematic beauty of Scud’s new film is best appreciated on big scenes in cinemas. Unique for a film dealing with such violent themes, its cinematography is polished, more than that, actually beautiful.

“I cannot film something that is not beautiful, my philosophy prevents that.” explains Scud.

“Thanks must also go to William Cheung, who did the cutting and colouring. He gave a very special colour tone to the film.” (William Cheung is the artistic director behind all of director Wong Kar-wai’s films). The beauty of the film is also enhanced by its score, composed by Yu Yat Yiu, a member of the Hong Kong music production company People Mountain People Sea. The rousing, joyful scores often contradict the tragedies portrayed in the film. “That has to do with East-West cultural differences. In the East, a romance that ends in tragedy may not be that bad, if the lovers can unite after death, or in their next lives,” Scud added.

If Scud is contemplating his next life, it is not because he has to little to do in his current life. Two more films are already in the pipeline. His next film, Voyage, will be in English and will be filmed in eight countries. The other, Life as an Artist, will complete the trilogy that has started with Permanent Residence and Amphetamine. With so much to look forward to, let us hope that no censor stops Scud from carrying on making films that stimulate, challenge and provoke us.

Reader's Comments

1. 2011-07-25 20:04  
The film sounds awesome. I'll bet it never gets screened in Australia. I wonder if we'll be able to access it on the interweb?
2. 2011-07-25 20:45  
I am with you Andy, although it seems like the (whole) film will never be screened anywhere.....I hope it becomes available to buy or view on the net...
3. 2011-07-25 20:46  
...ahmmm, I think all Scud's films sucked, no?...:)
4. 2011-07-25 21:05  
hmm.. the last two screen captures seems pretty hawt...! ;P
5. 2011-07-25 21:52  
"in sucking, one is pleasuring only the other person without reward for oneself" .... i so disagree. as a total bottom, i can say with full conviction that i get as much pleasure from giving as the person receiving.
6. 2011-07-25 22:57  
love is really complicated...........why cant w make it more simple n easy...............
7. 2011-07-25 23:54  
Great! I think that's film is awesome. Really want to see it ^^
8. 2011-07-26 02:20  
Sucking is an important symbol in the film. It is a selfless act; => The coolest sentence.
9. 2011-07-26 03:08  
It's pretty scary actually.

“Everyone asked why it was so real. The secret is: It was all real!” says Scud with a smile.

Hopefully they didn't actually beheaded the actress. The image from the official website for that scene is kinda... spooky. =/

The part on siblings incest is going to be MUCH more difficult than mere homosexuality content to push for.
10. 2011-07-26 06:42  
Scud's films do suck and I don't mean the act of sucking which is hot. He confuses LUST with LOVE.Both are 4 letter words but with very different meanings.
11. 2011-07-26 08:38  
@5 - I think you did not understand the writer. I so agree with him. You have to at least like or love someone to give him a head. I don't think you can go around giving head to every tom dick or harry.

Try giving me a head and see if I enjoy it ( if I have no liking for U ) . It's all psychological I supposed. Cheers !
Comment #12 was deleted by its author on 2011-07-26 08:38
13. 2011-07-26 08:58  
post #5, I agree with you. Sucking can be a fantastic experience for the sucker, as well as the suck-ee....at least from my experiences. And yes, post #11, if I find guys at all physically attractive, I could easily (with great enthusiasm and pleasure) give head to any Tom Dick and Harry. And I know I'm not alone.

As for the films....they're probably not as great as the writer/director thinks they are, nor as bad as his worst critics propose. I suspect they're mediocre at best....and I intend to find out (by buying the dvds).
14. 2011-07-26 09:11  
wow nice! Another full frontal PR movie? :P
15. 2011-07-26 09:32  
Hmm If Only hong kong guys are nice in person like they do in movies..
16. 2011-07-26 10:11  
That's why they are called "actors".
17. 2011-07-27 01:27  
Fortunately there are many queer film festivals around the world including in Australia that bring the work of people like Scud (and everyone involved) to a wider Audience. Where I live in Melbourne for eg, every year, more & more people come to queer film fest to check out what queer cinema has to offer & share the experience.
18. 2011-07-27 09:01  
At #13 - that why I say and you got my point " if I find guys at all physically attractive,". That's the key key point. You got to find the other party attrractive, then it's a go , if not I am sure it's a no go.
19. 2011-07-27 11:50  
Any "queer films" out there that don't feature hot, naked men? Or would they be a contradiction in terms, much like so-called "queer art"?
20. 2011-07-28 12:28  
How this hack can continue to make what he thinks of as "films" is really beyond me. He makes Yong Fan look like Orson Welles.
21. 2011-07-29 23:30  
I totally agree "you have to love someone to suck someone"
22. 2011-07-30 01:16  
Amphetamine is a disaster, it feels like a long, badly executed and poorly (very) scripted MTV. The nice looking cast could not even save the movie. The gangster raping scene is trashy, just there to lengthen the movie and complete some warped rape gang fantasy.

Permanent Residence is much better with some story line and decent dialogue. I like the floating coffins scene towards the end, just for its visual effect but it is completely unnecessary. The movie will be better if it is paced faster and end 30 min earlier. At least it is not pretending to be MTV.

Both are not worth your time and popcorn.
23. 2011-08-02 19:15  
I always support gay movies.....hope 2 c them in our local cinema....
24. 2011-08-02 19:16  
I always support gay movies.....hope 2 c them in our local cinema....
25. 2011-08-03 13:29  
Just viewed the trailer. To me, the movie sucks. It's more about straight people with only a few token man-on-man love scenes. It's just typical of closeted directors, in my view -- they can't seem to make an HONEST gay movie. Perhaps, it takes a straight man like Lee Ang to make a TRUE gay classic like Broke Back Mountain?
26. 2011-08-03 15:58  
Oh, I forgot to mention that, if I were one of the censors in HK or Taiwan, I'd snip off the straight love scenes and leave only the gay ones. Otherwise, this movie completely fails to make any kind of statement about man-on-man lust or love. And, to the director, if you really want to make a break-through movie like Broke back Mountain, be HONEST and stop diluting your theme with straight love scenes.
Comment edited on 2011-08-03 16:00:17
27. 2011-09-18 23:47  
Thanks #26 - it does remind me that not all gay films are worth supporting, no matter how much we want to support LGBT film makers.

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