They do not believe the gay fingers, keep hunting from one app to the other. 

Bloody Mary I am not,

Catherine the Great or so you thought.

Incur my wrath by my own wrought,

Alas alas, I am just a dot.

Twinkle twinkle not a dot,

Jewel of the Nile casts in God's written plot.

Antony Caesar for her they fought,

"How fun!" She thought, "If they knew my memory loss.".

(Dedication to familiar stranger on 25 Feb 2025.)

The Woman at the Junction

Every time Moby’s Everloving plays, she is there again, standing at the junction in the dry blazing heat, holding newspapers under the American sun.

The car pulled away from Newark into the late morning of 13 July 2003. My first time in America. I had crossed an ocean to find her — the woman I loved — and the city was waiting somewhere ahead, enormous and indifferent.

The road was vast. No other cars. Just the asphalt baked to a chalky, dust-grey, stretching forward under a sky of cloudless blue. It was a fierce summer, and with no cloud to break it, the sun came down whole. The heat was dry — not the wet heat I knew — and it pressed down without apology, clean and absolute. I was feverish myself by then, though whether from the sun or from everything still ahead of me, I could not have said.

Then the junction.

There, she was standing at the side of the road. A Black woman, mid-thirties perhaps. Braided hair. A worn checkered shirt and trousers. Around her neck, hung by a strap, a small usherette tray — the kind that asks you to come to it, that cannot go to you. It held newspapers. She held it. 

Her arms carried the tray. Her eyes gave nothing away — no appeal, no exhaustion, no performance of dignity. Just a gaze aimed somewhere ahead of her, or perhaps nowhere at all. Stoic. Expressionless. Still.

No cars stopped. No one was near. Under that indifferent sun, she simply stood. 

The car moved past her. 

I turned. 

I kept looking — through the rear window, through the dissolving distance — as she grew smaller, smaller. The tray around her neck. The braided hair. The stillness that was not resignation but something harder to name. Something closer to will. A will that had arrived at the junction every day, that would arrive again tomorrow, that believed — or had no choice but to act as if it believed — that standing was enough.

And yet there was a wall. Invisible, complete. She could not see it. Perhaps she had stopped looking for its edges long ago. The wall did not take her dignity. It simply made forward impossible.

The car drove on. She became a point. Then nothing. 

I turned back to face the road ahead — to the skyline, to the reunion, to everything that had brought me across that ocean.

But I have never stopped looking back.

一个中国老头想吃外国白人大鸡巴

一个中国老头想吃外国白人大鸡巴

喜欢被大鸡巴草。喜欢吃大鸡巴。口活好

有没有在营口工作的老外？

昨天發生了一件

驚嚇萬分

的事件

為了尋找

它的

下落

差不多

把

整間

幼兒園

給翻了

最後還是

通過

CCTV

找回了 

它

.......

😇😇

怪是自己太大意

把它

遺落

在一個

不起眼的角落

當時

自己

竟然沒有

任何的

記憶

究竟把它

落在那裡

😔😔😔

✓落物車鑰匙 🔑🗝️

🚗🚗🚶🚶

确实是我们要去喜欢一个，让我们有动力的人……每天起来，都觉得阳光万里……而不是，去喜欢一个，让我们有伤口的人，每天睡去都觉得万籁俱寂！如果自由的代价，是孤独，我便坦然接受，我等的，一定是一个，理解我的人，和被我理解的人，我爱的和爱我的，我都不选，我选的，一定是那个我爱的，他更爱我的人，绝不将就！如果🈶人问：为什么喜欢拍照发朋友圈，为什么还要写一大堆文案，为什么还要不远万里，去见一个人，我就会告诉他，我偏要在这个薄情的世界里，深情的活着……在这个快节奏的时代里，按照我们自己的节奏活……愿我们都热泪盈眶，热血热情，一个人也像千军万马，活得热烈！

作者：卢思浩

I've been viewing more films of late. Here's a recent selection:

Hakkenden: Fiction and Reality. A 2025 Japanese film of the famous epic book by 19th century Japanese author Kyokutei Bakin, recounting the mythological tale of good overcoming evil, with the film paralleling the life of the author as he struggles to write the story over a period of nearly 30 years. At various stages Bakin would release new chapters to the public, fuelling their interest in the development of the story. Excellent film

Time to Leave (French 'Le Temps qui Reste', 2005). A sad story of a 31 year old gay fashion photographer who is told that he has untreatable cancer with an expectation of just three months to live. Romain has problems with his immediate family, friends and sexual partners, and feels unable to share his feelings about his imminent death with anyone but his grandmother. A chance encounter with a couple at a motorway service station who cannot have children due to the husband’s infertility leads him to accede to the wife’s request to have sex in order for them to have a child. In the final scenes he returns to the beach which he remembers with fondness from his childhood as he finally slips away with the sun setting and no one else left to disturb his peaceful departure from life.

Crash (2005). A film which I’d never been aware of, but which had been recommended by a friend who leant me his DVD. The Director, Paul Haggis, follows a motley collection of characters, including police officers, petty criminals, film producers, immigrant shopkeepers etc. living in a small neighbourhood of Los Angeles over a period of 48 hours as their lives become increasingly intertwined. Set against the overt racism of the period it leaves a unexpectedly strong impression of a diverse and vibrant community. It won three Oscars in the year when the film of Brokeback Mountain had been expected to win.

Tristan und Isolde (2026): a live relay of Wagner’s opera from the New York Metropolitan Opera House. It’s been many years since I saw it from the back rows at Covent Garden, and most of the reviews for this production had been very positive so I was looking forward to ecountering it again The quality of the video production, the creative staging and especially the singing of the Norwegian soprano Lisa Davidsen in the title role all contributed for a truly memorable evening.

 I've also updated my face photo in the vault.

Here we are again.

The years spent on the neverending rat race, in the end akins to nothing. I am, once again, back at the drawing board. 

What's next, really. 

Wow. Just looked at my profile and it says I had signed up 24 years ago. And this is the first time logging in for about 5 years and the new first pic I've uploaded in 15! How time flies! Hopefully this won't be the last :)

15718829837

131082200005080515

You may turn to a homosexual., or gay as the religious ministers in Malaysia said. 

Be wise, relax and turn back to heterosexual 

https://pornone.com/es/asiatico/pornone-sex-video-279395637/279395637/

https://pornone.com/gay/ms-haruki-sex/279411165/

この2本の動画に出ている男優さん。名前がなくて、スリムノンケ青年などとしか書かれていない。

This guy appears in at least these two gay adult films. He does not have a stage name. He is dubbed as "slim straight young man" and no further information is given.

（自称）ノンケの男優さんと言えば、陳光君などは、サービス精神旺盛に楽しませてくれている。

As for straight actors in gay films, Chin Kou (Chen Guang, Chen Kuang) is a great entertainer and he knows what the audience wants.

この男優さんが、ステージネームなどを付けないのは、名前を付けることで固定されて、色々と詮索されたりするのを嫌っているのだろうか。

On the other hand, this guy does not have a stage name. He doesn't want to be "categorized" as such and that people would look for pieces of information about him which he cannot tolerate, maybe?

でも、とっても℃タイプなのです。年齢が約３倍の僕は、遠くから眺めているしかないですが。顔、体、喋り方など、大好きなのです。

I like him very much. I am almost three times older than him and I can only enjoy what is offered on the Internet. His face, his body, the way he talkes, etc. all are to my liking.

hi,

I am a fit matured guy (the uncle if not daddy look) looking to meet other light minded guys (younger guys welcome) for friendship and maybe more if there is a mutual physical attraction. I am 172cm, 77 kg and stocky built.  I am financial independent and spends my time between Singapore/Kuala Lumpur) and Australia. I enjoy conversations and good food. If that strikes a note with you please drop me a line. Cheers

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真的超久没进来了

看回这里之前写的post

怎么那么有创意啊

哈哈哈哈哈

嗯哼

留下痕迹

原来这里依然少人啊

嗯嗯

来这个post呼吁一下

有兴趣脱单的

可以了解一下

今年37了

稳定事业

其他的

想了解就联络我吧

话说我比较喜欢h/p呀

谢谢大家

妳還好嗎？我很想妳。每一次看到大海都會很想妳。我还记得上一趟旅行为了一直让妳看到海，心情和工作可以放鬆，帶你去了一個被海圍繞一直可以看到海的地方。妳后来把和我一起在海邊看日落的情境挂上封面图几年了，直到今年六月妳拿下了，我的心痛了一段時間。其实我一直都没有忘记妳，而且还很爱妳想妳。但我目前沒办法给妳任何了，包括妳之前一直說的情緒價值。请允许我慢慢治愈，希望妳可以找到幸福。